Using the existing projects also allowed us to place LED displays in the most significant places, including directly in the background of the primary camera angles. The Paragon team saved money by designing the video system and stage design around Swaggart's existing projectors. Four 8' x 4' 10" LED confidence monitors installed along the balcony wall provide lyrics to the frontline singers. This design places 7 feet of LED panels directly behind frontline performers and speakers, allowing endless flexibility and creativity for weekly broadcasts. The choir wall and modesty wall feature 20' x 5' and 18' x 2' custom-curved displays, respectively. By integrating LED panels into the set elements, the Paragon team offered a more dynamic approach to the set design.
The main objective for the church's video system was improving the flexibility of the stage design. This approach also allowed the technical team at Jimmy Swaggart Ministries to build on their previous success, with very little additional training. Our team completed the installation while maintaining broadcast operations by renewing the audio system and utilizing existing equipment. The FOH mixing platform remained analog, and an analog patch bay was installed to accommodate the current analog connectivity of the system. The Swaggart audio production team was plain in their objectives, "if it ain't broke, don't fix it." With this in mind, the Paragon design team worked within the existing system and made improvements where needed. Our team also relocated the monitor mix location, improved the ergonomics of the patch bays, and installed all new multi-pair cable for the entire system. The existing floor pocket infrastructure was renewed and raised to the new level of the new platform. The updated stage design impacted several aspects of Swaggart's audio design. To address these issues, the Paragon team installed FabriTRAK acoustic treatment on the front face of the balcony and hung custom-built acoustical ceiling clouds throughout the sanctuary.
The Family Worship center was suffering some severe acoustical issues caused by the blunt face of the balcony, as well as the unique shape of the ceiling.
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